Traces

«Traces»

Section bringing together the most recent films by renowned directors as well as by young ones whose careers show solidity, innovation, and a promising future. As in the official competitive section, this section is an expression of the FICUNAM programming policies and a defined idea about cinema, with an aesthetic (and political) perspective related to avant-garde and author cinema.

 

Berberian Sound Studio by Peter Strickland (United Kingdom-Germany-Australia, 2012)

The Capsule by Athina Rachel Tsangari (Greece, 2012)

The Dream and The Silence by Jaime Rosales (Spain, 2012)

Drumming Beat of the Stars by Júlio Bressane (Brazil, 2012)

Dust by Julio Hernández Cordón (Guatemala-Spain-Chile-Germany, 2012)

The End of Time by Peter Mettler (Switzerland-Canada, 2012)

Eternal Homecoming by Kira Muratova (Ukraine, 2012)

Far from Afghanistan by John Gianvito, Jon Jost, Minda Martin, Travis Wilkerson & Soon-Mi Yoo (United States-Afghanistan, 2012)

Florentina Hubaldo, CTE by Lav Diaz (Philippines, 2012)

The Last Time I Saw Macao by João Pedro Rodrigues & João Rui Guerra da Mata (Portugal-France, 2012)

Like Someone in Love by Abbas Kiarostami (France-Japan, 2012)

La madre by Jean-Marie Straub (Switzerland, 2012)

Matar extraños by Jacob Schulsinger & Nicolás Pereda (Denmark-Mexico, 2013)

Mekong Hotel by Apichatpong Weerasethakul (Thailand-United Kingdom-France, 2012)

Museum Hours by Jem Cohen (Austria-United States, 2012)

Once I Entered A Garden by Avi Mograbi (France-Israel-Switzerland, 2012)

The Shine of Day by Tizza Covi & Rainer Frimmel (Austria, 2012)

Three Sisters by Wang Bing (France-Hong Kong, 2012)

Vic & Flo Saw A Bear by Denis Côté (Canada, 2013)

Viola by Matías Piñeiro (Argentina, 2012)

Walker by Tsai Ming-Liang (Honk Kong, 2012)

White Epilepsy by Philippe Grandrieux (France, 2012)